The search for an underlying abstract quality to my work is coming easier for nature based paintings, based on years of sketchbooks, than portraiture, where I am very dominated by the need to get it right.
So it is quite therapeutic (for a neurotic artist that is) to do both in tandem.
So this week I took up an old painting idea based on blackbirds feasitng in a crab apple tree, to try to express the frenzy, and the atomosphere of a windy, and sunny autumn day.